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The writer and co-director of Netflix's stop-motion animated film talks about capturing real-life moments in animation, using war as a backdrop for his films, and the challenges of songwriting.
Editor's note: Staff Writer Bulbul Rajagopal and Calendar Editor Caleb Wiseblood wrote Split Screen this week while Glen and Anna Starkey went on holiday. Guillermo...
Guillermo del Toro has one of the most easily identifiable styles in modern big-budget filmmaking. His ability to conjure imagery that is at once repulsive and beautiful is immediately recognizable, whether he’s working with fairy tales (“Pan’s Labyrinth”), comic book stories (“Hellboy” and “Blade 2”) or sci-fi spectacles where giant mechs punch massive alien monsters […]
The award-winning actress, 43, was so desperate to be in Guillermo del Toro's Pinocchio, she joked she would even 'play a pencil'.
As the year nears a conclusion, the final two weeks of December seem like an appropriate time to declare Netflix the streaming service champion of ...