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Publication with a focus on independent film, offering articles, links, and resources.
In Kino Eye (1924), the first of his two masterpieces, Dziga Vertov staged a resurrection, turning a bull carcass hooked in a city slaughter house into a living bull, happily grazing in a field. Kino Eye moves time backwards, the title card reads just before the miracle.
Lincoln Center delves into tales of the wicked, the outcast, the unholy, the misunderstood, and the freakish in a survey of the audacious director’s genre-busting — and defining — films.
The project would come from Paramount.
The Emerging Producer from Belgium addresses the relation between documentary, experimentation, low budget and the audience's interest