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Detailed text transcripts for TV channel - MSNBC - 20130511:23:47:00

i get a fairly steady handheld shot all the way down to the base of the falls and hold. then wait, and wait, and wait. so for probably 20 seconds i m just scanning the pool at the base of the falls waiting to see some sign of pedro, a paddle, just some color in the pool. i don t see anything. i get ready to put the camera down and repel to the base of the falls to help look for pedro and at that point another guide, another of the locals signals to him that he sees pedro from walking out from behind the falls. at that point he says in portuguese, here he comes from behind the falls. that s when everyone erupts and is screaming. you know, in kind of laughter. yeah! ben says that when pedro emerges from the falls he s ....

Beautiful Falls , Camera Down , Point Another Guide ,

Detailed text transcripts for TV channel - MSNBC - 20130404:14:40:00

Smartphone. the devices have been tweaked. the first thing you are going to see when you turn it on is your facebook page. facebook could reap nearly $1 billion in ad revenue this year. it s been the issue everyone has been watching when it comes to facebook stock. wow, a billion. the cell phone has come a long way. it was introduced 40 years ago this week. check out this vintage clip from 1988. cellar phones are becoming less expensive and becoming smaller. one piece, handheld, not car phones, street phones. foreign producer of nbc nightly news walks his kids to school in has been hat tan every morning. then strolls up sixth avenue, talking to producers and correspondents all over the world. we move nelson and company over to haiti and feed from ....

1 Billion , Cell Phone , Cellar Phones , A Billion , Car Phones , Street Phones , Nhat Tan , Nightly News , Sixth Avenue ,

Detailed text transcripts for TV channel - MSNBC - 20130330:23:06:00

Then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. kyle then sends these layers to visual effects artist zane rudlick to do his magic. it s three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at the end. but in between, we re seaming that together with the cheated handheld simulated in the computer. to create that shot, zane uses a process called roto scoping. it s painstaking tracing frame by frame rachel throughout her roll off the car hood. by isolating her in that way, we re able to drop her on to the other shot. but the devil is in the details. ....

Zane Rudlick , Kyle Rankin , Hit Spot , The End , Roto Scoping , Car Hood ,

Detailed text transcripts for TV channel - MSNBC - 20121225:21:07:00

The end. but in between, we re seaming that together with the cheated handheld simulated in the computer. to create that shot, zane uses a process called roto scoping. thts painstaking tracing frame by frame rachel throughout her roll off the car hood. and by isolating her in that way, we re able to drop her onto the other shot. but the devil is in the details. after viewing the effect, zane and kyle decide cindy s moves on top of the car aren t realistic enough. bouncing off of the hood, we didn t quite have the right movement on this arm. so we had to isolate her arm from another moment in time and build a fake arm and animate it. and drop it in. in its own little spot, so we could get the performance we needed. with the effect complete, kyle sends the finished video to the cast and crew. even though i knew what was ....

Zane Rutledge , Roto Scoping , The End , Thts Painstaking Tracing , Car Hood , Fake Arm , Kyle Rankin , Aren T ,

Detailed text transcripts for TV channel - MSNBC - 20121225:21:06:00

oh, my god. she s so lucky we re not doing it at night. but kyle knows the believability of the video hinges on how realistic the climactic car hit looks. rachel! it ended up being so much fun. it was kind of cool to see how it was made. this three second special effects shot takes hours to create. to do a digital effect you shoot basically several layers. from the top of the stairs i shot the road empty, the car pass, cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. kyle then sends these layers to visual effects artist zane rutledge to work his magic. it s three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at ....

Kyle Rankin , Car Hit Looks , Video Hinges , Special Effects , Car Pass , Hit Spot , Cindy Running , Zane Rutledge ,