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Gallery Espace creates cohesive corollaries at DCAW

At DCAW in Bikaner House  (September 3-7) Renu Modi’s Gallery Espace creates a series of cohesive corollaries in works that celebrate the multiplicity of materials specially textiles in an exhibition at CCA called Common Thread: an. ....

India , Bikaner , Rajasthan , Ghana , Ghanaian , Gopika-nath-thoughtnet , Mekhla-bahl , Rashmimala-devi , Gopika-nath , El-anatsui , Purvai-rai , Harendra-kushwaha

Fact Check: क्या बदला गया MP के हबीबगंज रेलवे स्टेशन का नाम? जानिए सच

Fact Check: क्या बदला गया MP के हबीबगंज रेलवे स्टेशन का नाम? जानिए सच
webdunia.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from webdunia.com Daily Mail and Mail on Sunday newspapers.

Bhopal , Madhya-pradesh , India , Habibganj , Malwa , Jammu-and-kashmir , Atal-bihari-vajpayee , Harendra-kushwahaa-facebook , Bhojpura-king , Google , Facebook , Bhopal-habibganj

deadly attack on jdu mp santosh kushwaha s brother in bihar purnia miscreants crush scorpio : JDU सांसद के भाई पर जानलेवा हमला

deadly attack on jdu mp santosh kushwaha s brother in bihar purnia miscreants crush scorpio : JDU सांसद के भाई पर जानलेवा हमला
indiatimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from indiatimes.com Daily Mail and Mail on Sunday newspapers.

Purnia-bihar , Kushwaha , Harendra-kushwaha , Her-john , Namita-miss , His-john , பூர்னியா-பிஹார் , குஷ்வாஹா , ஹரேந்திரா-குஷ்வாஹா ,

Review: Untitled at Cima Art Gallery - Telegraph India


Rita Datta
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Published 23.01.21, 01:55 AM
A title is an anchor, but also a limiting tether. So Cima chooses to call its current show, on till January 30, 
Untitled. It traces how, from vintage modernism to the fizz of contemporary colloquialism, concerns recur through stylistic shifts that five generations of Indian artists have negotiated.
If Jamini Roy’s post-Impressionism approaches the landscape with Wordsworthian romanticism, Paramjit Singh’s dense brushwork makes it an immersive experience. Gaunt, famished, existing on the margins, Somnath Hore’s figures in his etchings appear as non-beings in their abdication of agency, dissolving, in 
Massacre, into smears the colour of dried blood; the marginalized remain fearful and mute in ....

Calcutta , West-bengal , India , Ram-singh-urveti , Bikash-bhattacharjee , Sanjeev-sonpimpare , Jitish-kallat , Rameshwar-broota , Sumitro-basak , Ganesh-pyne , Harendra-kushwaha , Jamini-roy