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2024 marks 150 years since the Impressionists held their first exhibition in Paris. In India, rather than imitate, artists combined elements of Impressionism with indigenous ideas to create a unique visual language
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'More People Are Willing To Pay More Money For Indian Artworks' menafn.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from menafn.com Daily Mail and Mail on Sunday newspapers.
AstaGuru, an auction house specialising in Modern Indian Art, concluded its online sale with outstanding results. After competitive bidding for an impressive line-up of 41 iconic modern Indian masterpieces, the auction garnered an impressive ...
Sotheby's March Asia Week sale series led by yard sale discovery An exceptional and rare 15th century Chinese Yongle Period Blue and White Floral Bowl heads to the auction block with a $300/500,000 estimate. Courtesy Sotheby's. NEW YORK, NY .-Sothebys announced highlights of its upcoming Asia Week sales in New York, featuring a diverse array of Asian art spanning 4,000 years of history. Among the highlights are an exceptional selection of Imperial jades and cloisonné enamels from the Brooklyn Museum, sold to support museum collections; Vasudeo S. Gaitondes Untitled which will appear at auction for the first time this March after remaining in the collection of renowned American physicist, Robert Marshak and his wife Ruth for nearly sixty years, and more. All works on offer are open for viewing by appointment in Sothebys New York galleries beginning 11 March, with auctions taking place from 12 24 March.
Rita Datta | | Published 23.01.21, 01:55 AM A title is an anchor, but also a limiting tether. So Cima chooses to call its current show, on till January 30, Untitled. It traces how, from vintage modernism to the fizz of contemporary colloquialism, concerns recur through stylistic shifts that five generations of Indian artists have negotiated. If Jamini Roy’s post-Impressionism approaches the landscape with Wordsworthian romanticism, Paramjit Singh’s dense brushwork makes it an immersive experience. Gaunt, famished, existing on the margins, Somnath Hore’s figures in his etchings appear as non-beings in their abdication of agency, dissolving, in Massacre, into smears the colour of dried blood; the marginalized remain fearful and mute in