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These royal sisters have much in common, but when it came to coming-of-age celebrations, the princesses could hardly have been more different...
A portrait of Palestinian-American scholar Edward Said was included in ICA's exhibit highlighting the work of artist Charles Gaines — then, one day, it was removed.
Gerhard Richter: Endgadin at Hauser & Wirth, St. Moritz, documents Richter’s ongoing fascination with the Swiss Alpine Engadin surrounding the village of Sils Maria and the Fex Valley (Val Fex) in more than sixty overpainted photographs (Übermalungen), together with paintings and works on paper, drawn from a quarter century (1989–2018) of repeated visits to the region. Supplemented by complementary exhibitions at the Segantini Museum (St. Moritz) and the Nietzche-Haus (Sil Maria), this show reveals how Richter mines the pictorial possibilities offered by overlaying abstract gest...
No One Thing, the current exhibition at Hauser & Wirth is, in effect, an estate sale. The seven items—all steel, all painted, 1961–64—are among the last in circulation. One is very glad to see them but does not mistake this group for a historical exhibition, which in various aspects it pretends to be. In its miscellaneous heterogeneity however, the exhibition is as close to the lost fields as we may ever get, and by a special power of the artist—nothing short of magic, he is present here as if in person. A busy-minded formalist who said, “I don’t edit;” these...
As we enter a season of transition, it seems that many museums are exploring this theme as well. From the growth of South Korea into a cultural powerhouse to the change from hand-drawn maps to photographs, WBUR's Solon Kelleher rounds up the exhibits to check out.