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That the last movement, when the human voice enters a symphony, it's a great surprise, because we have three movements with an orchestra playing, in the last movement, people start to sing. it's a revolution. now, in our normal ritual, it's not a revolution, because what do you see? you see an orchestra and you see a chorus waiting there for their entry. where is the unpredictability? where is the surprise? so, i think sometimes the ritual doesn't fit the original composition. so, i try to find ways to give a possibility for the unpredictable nature of music. so, what i did in beethoven's nint...

Top prices are causing outrage, even cheaper seats are struggling to sell, and many touring productions are being cancelled

A solo show of poetic and bold works from emerging Kilkenny painter Lee Shanahan will open at Mac Donagh Junction later this month. The show of work by emerging...

Cedar Rapids Opera presents “La Voix Humaine” (The Human Voice), May 13 on the CRST 4th Floor Balcony. Director Haley Stamats says the one-woman show consists entirely of one side of a telephone conversation between a woman and man after the end of their relationship. Which presents some interesting requirements in staging, blocking, and singing. … Continue reading

Isaac was born on 24 January 1790 in Canterbury, England, the eldest son of Cantor Menehem Mona, a Polish refugee language master, who believed himself to be the son of Stanislaus II, last king of Poland. Isaac was so musically talented that, at the age of 19, his father apprenticed him to the famous London…