Small Screen Berkeley: 'Identifying Features' and 'Mayor'
Identifying Features. Photo: Courtesy Kino Lorber If you read my ‘Favorite Films of 2020’ column late last year, you know how much I admired my number one film, Buoyancy. A bleak tale of 21st century slavery in Southeast Asia, the film depicted terrible events in fraught scenes that wouldn’t seem out of place in a horror film. Though taking place half a world away, I couldn’t help but be reminded of Buoyancy as I watched Sin señas particulares ( Identifying Features, streaming via the Virtual Roxie and Pacific Film Archive). Despite being a neo-realistic examination of 21st centur...