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BBCNEWS HARDtalk July 4, 2024

Persuasive rather than polarising . Kwame kwei armah, welcome to hardtalk. Thank you so much for having me. It is a great pleasure to have you. Now, youve been in the Theatre Business as an actor, a writer and a director for the best part of three decades. Ijust used that phrase, some would call it a cliche, about the culture wars. Does it feel to you that today there is a somewhat toxic culture war . I think youve framed it beautifully. It is toxic, but most importantly, its disingenuous. In my humble opinion. Its used to kind of create political fear. And ourjob as artists is, i think, fundamentally to take away that fear, to take away the binaries that i think this farce of the culture wars are. You know, i often hear politicians and im not one to diss politicians, but i also often hear politicians use race or class or immigration or use history as a Battering Ram to get ....

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BBCNEWS HARDtalk July 4, 2024

Ijust used that phrase, some would call it a cliche, about the culture wars. Does it feel to you that today there is a somewhat toxic culture war . I think youve framed it beautifully. It is toxic, but most importantly, its disingenuous. In my humble opinion. Its used to kind of create political fear. And ourjob as artists is, i think, fundamentally to take away that fear, to take away the binaries that i think this farce of the culture wars are. You know, i often hear politicians and im not one to diss politicians, but i also often hear politicians use race or class or immigration or use history as a Battering Ram to get themselves into the hearts of the populist. But those issues youve just outlined race, immigration they are central to your work, because theyre central to your own life story. Yeah, totally and utterly. But. And have you been frightened off entering this territory at times . Again, i think its framed brilliantly. ....

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BBCNEWS HARDtalk June 4, 2024 22:50:00

And it doesn t matter. i don t define myself through my blackness. my blackness is just part of who i am. so as a leader, i believe that a theatre space is there to be the hub of a community. and a community in london is as diverse as it gets. so it means i want my theatre, from my staff to who s on my stage to who directs to who writes, i want it to reflect the london of now, the britain of now and possibly. right, but this isn tjust about kwame kwei armah, is it? it s about systems and it s about equality across the piece. so, i ve spoken in the past to greg doran at the rsc, i ve spoken to actors like rupert everett. rupert everett has a strong feeling that we are getting far too hung up on this sort of notion of authenticity and lived experience when it comes to casting, ie you don t have to be gay to play the part of a gay person onstage. i wonder whether you share that feeling or whether you think authenticity requires ....

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BBCNEWS HARDtalk June 4, 2024 22:32:00

It s used to kind of create political fear. and ourjob as artists is, i think, fundamentally to take away that fear, to take away the binaries that i think this farce of the culture wars are. you know, i often hear politicians and i m not one to diss politicians, but i also often hear politicians use race or class or immigration or use history as a battering ram to get themselves into the hearts of the populist. but those issues you ve just outlined race, immigration they are central to your work, because they re central to your own life story. yeah, totally and utterly. but. and have you been frightened off entering this territory at times? again, i think it s framed brilliantly. fortunately for me, or unfortunately, when i m afraid of something, i have to run towards it. stephen chuckles i don t call that a virtue, ....

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BBCNEWS HARDtalk June 4, 2024 22:32:00

Yeah, totally and utterly. but. and have you been frightened off entering this territory at times? again, i think it s framed brilliantly. fortunately for me, or unfortunately, when i m afraid of something, i have to run towards it. stephen chuckles i don t call that a virtue, but it is fact for me. without a shadow of a doubt, even producing the play that s on at the young vic now, beneatha s place, i was worried for a while. i was worried that those of the right or even those of the left might come after me for some of the statements or some of the debates that the play wishes to catalyse. but i m an artist. we re here to do nothing but catalyse. i can t run in fearfrom people trying to counsel you or use. ..use your work as an agenda for theirs. i want to talk more about beneatha s place, because i was lucky enough to see it just a night or two ago. so i do want to talk about it ....

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