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FOR TIONA NEKKIA MCCLODDEN’S latest work, The Trace of an Implied Presence, currently on view at the Shed in New York, the artist has installed four dancefloors in the second-floor gallery, each tailored to different specifications. Two are covered in Marley (one black and one white). Two are made of hard wood. Suspended above each dancefloor is a screen, onto which are projected color and black-and-white filmed portraits of Black performers. Here McClodden presents Michael J. Love, a tap dancer and scholar, striking complex rhythms against the floor; Kim Grier-Martinez, current artistic di...

The filmmaker and multidisciplinary artist Tiona Nekkia McClodden crystalizes the values, ideas, and beliefs of the African Diaspora.

Looks from the “Bodies Bodies Bodies” screening, an art opening at the Shed and a Net-a-Porter garden party.