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In 1959, the very year the Cuban Revolution amplified Cold War tensions in the Americas, museumgoers in the United States witnessed a sudden surge in major exhibitions of Latin American art. Surveying the 1960s boom of such exhibits, this book documents how art produced in regions considered susceptible to communist influence was staged on U.S. soil for U.S. audiences. Held in high-profile venues such as the Guggenheim Museum, the Walker Art Center, MoMA, and the Art Institute of Chicago, the exhibitions of the 1960s Latin American art boom did not define a single stylistic trend or the art of...

The Canadian artist and curator Aimé Lukin discuss Gower's work focusing on Mexican modernism and muralism on view through July 17 at Americas Society.

Terence Gower: The Good Neighbour  The Canadian artist's exhibition, offering a critical analysis of contemporary Mexican society, is open from May 12 through July 17. On view from May 12 through July 17, 2021  Curated by Aimé Iglesias Lukin   Press Preview: By appointment.   New York, May 10, 2021—Americas Society presents Terence Gower: The Good Neighbour, a solo exhibition focused on the Canadian artist’s relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 to his involvement with the city’s b...

Terence Gower: The Good Neighbour On view: May 12 through Americas Society presents Terence Gower: The Good Neighbour, a solo exhibition focused on the Canadian artist’s relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 and his involvement with the city’s bustling international art scene. Following his training in photoconceptualism in Canada, Gower’s arrival in Mexico connected him to new aesthetic ideas, which allowed him to deconstruct traditional dichoto...