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Sullivan’s music is masterly, but director Jo Davies doesn’t solve Gilbert’s Tudorbethiana. Opera review by David Nice
As the Arts Council withdraws English National Opera's core funding, ENO delivers a serviceable account of this Gilbert and Sullivan staple
Jo Davies’ 1950-set staging of the late G&S opera may not fully cohere but musically we’re in excellent hands and Richard McCabe’s is a moving – and sweatily desperate – Jack Point
In Stephen King's first story for Esquire, a mystery writer pulls into a Florida rest stop. When he overhears domestic abuse in the bathroom, he'll have to decide if—and how—he'll put a stop to it.
The Grange Festival's new staging updates the plot from the 16th century to just after the First World War, and it works a treat