Squint/Opera | creating accessible exhibits
Squint/Opera has shared its insights from a recent project for Le Musée national de la Marine, Paris, in collaboration with Casson Mann.
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Squint/Opera has shared its insights from a recent project for Le Musée national de la Marine, Paris, in collaboration with Casson Mann.
Squint/Opera, the creative studio, has been reflecting on a recent project with London's Imperial War Museum (IWM).
The Nazi evolution from murderous anti-semitism into organised death camps, as documented in this sober piece of historical excavation from Holocaust specialist James Bulgin, is truly shocking in its specificity. An ad-hoc interpretation of party doctrine became an agreed policy of mass shootings on the Eastern Front, before logistical frustrations and concern for the mental health of the executioners prompted a shift to more efficient methods. Almost as distressing as the barbarism itself was the necessary collaboration and complicity of many thousands of locals across Latvia and Lithuania. H...
Letters: <strong>Nick Howson </strong>and<strong> Katy Rodda </strong>respond to James Bulgin’s article about how ordinary people were active participants in Nazi atrocities
Starstruck meets early Sharon Horgan in Emma Moran’s riotous comedy of twentysomething angst; Simon Bird excels as a preening evangelist. Plus, a thoughtful meander through England with Grayson Perry