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Galerie Michael Janssen announces an online solo exhibition by artist Jana Cordenier Jana Cordenier, Untitled, 2020. Watercolour on paper, 84 x 150 cm. BERLIN .- For the second installment of its online exhibition series, Galerie Michael Janssen presents a solo exhibition by artist Jana Cordenier titled “Watercolours.” This exhibition is the artist’s second showing with the gallery, who debuted last year with her solo exhibition “Paradise.” Eponymously, “Watercolours” presents a selection of four watercolors on paper, which are on view for the first time. The works were painted over th...

Share A new cross-sector partnership between the Extractive Industries Transparency Initiative (EITI) and Open Ownership (OO), supported by the BHP Foundation, aims to end the use of anonymous companies linked to corruption and mismanagement in the extractive sector. The EITI and Open Ownership today launched Opening Extractives, a global programme to advance beneficial ownership transparency. It aims to make a dramatic and sustainable difference to the level of publicly available information on the individuals who own and control extractive companies. Anonymous companies remain a major obs...

Philanthropy is becoming an important strategic choice for companies as they fight to attract and retain talent and keep consumers, local communities and investors onside.

Cleveland Museum of Art’s revelatory “Stories from Storage’’ exhibit brings hidden gems into the light Updated Feb 08, 2021; Facebook Share CLEVELAND, Ohio — The Cleveland Museum of Art faced a curatorial nightmare last year when the coronavirus pandemic turned its precisely calibrated exhibition calendar from a Swiss watch into Swiss cheese. Big shows on topics including 7th-century sculpture from Cambodia, and Pablo Picasso’s works on paper got postponed, punching holes in a timetable complicated further by temporary closures of the museum from March to June, and then again fro...

Ralph Steadman is a rare thing, a celebrity illustrator. His fame goes hand in hand with that of Hunter S. Thompson, for whose novel Fear and Loathing in Las Vegas (1971) he drew the cover and other illustrations. It’s hard to imagine a reprint without Steadman’s ink drawing of Raoul Duke and Dr Gonzo driving out across the desert. Steadman’s depiction of the two characters as grotesque and twisted madmen and his rendering of the book’s title in scrawled, inky capitals chime perfectly with Thompson’s writing. Even when it was adapted into a film in 1998 – starring Johnny Depp as ...