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The deepest pleasure of Siena’s drawings was giving up the search for what generated them and getting lost in the intricacies of the composition.

Call it a new wrinkle—the surfaces of James Siena’s recent works on paper bob and weave all over the place, often resembling a rattlesnake’s shed skin. And yet, despite the novel look of the twenty pieces now on view at Miles McEnery, the Siena of old is still palpably present: the obsessive drawing, the horror vacui, the meticulous delineation of every shape.

In his essay on the history of lines [1], anthropologist Tim Ingold groups lines into two categories: threads and traces. He also maintains that moder

The collective exhibition Naturaleza abstracta (Abstract Nature) on view at a href= http://www.xippas.com target= _blank Xippas Punta del Este /a

On November 16, 2023, a href= https://venusovermanhattan.com/ target= _blank Venus Over Manhattan /a opened Retinal Hysteria, an expansive two-ven