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Language reveals architecture's complicity in intrigue


6 May 2021
Will Wiles
The more Will Wiles thinks about ‘palace intrigue’, the more significant he finds the way architecture lends its language to suspicious manoeuvrings
The grand walking and talking spaces of Hatfield House. Credit: Hatfield House
The word ‘palace’ derives from the Palatine Hill in Rome, site of the emperor’s mansions. While the garden setting of Harry and Meghan’s interview with Oprah Winfrey was not obviously palatial, it was somewhat palatine, with vine-tangled columns and Mediterranean sunshine. What the press, foreign and domestic, agreed, was that it was rich in ‘palace intrigue’. 
During the inescapable rumpus which surrounded the interview, that cliché bounced around in my head. Cliché is, generally, a substitute for thought, a worn-out expression that doesn’t require any new brain activity. The words ‘palace’ and ‘intrigue’ are locked together so often that one now adds very little to the other. But let ....

Tsarskoye Selo , Sankt Peterburg , Blenheim Palace , United Kingdom , Oprah Winfrey , Roger Luckhurst , Patrice Leconte , Jeroen Duindam , Alan Bennett , Palatine Hill , West Wing , Long Gallery , Catherine De Medici , Global History , ப்லெந்ஹைம் அரண்மனை , ஒன்றுபட்டது கிஂக்டம் , ஓப்ரா வின்ஃப்ரே , பேட்ரீஸ் லெகோஂடீ , ஆலன் பென்னட் , பலட்டீன் மலை , மேற்கு சாரி , நீண்டது கேலரி , கேத்தரின் டி மருத்துவம் , உலகளாவிய வரலாறு ,