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Here's a video essay about a problem that can arise in the editing room: when is it necessary to flip a shot?

Dead Ringers and The Haunting. Other people undoubtedly have similar mental lists. And thanks to the video essay below, I’ve added another flick to the pile: Duncan Jones’ blue-collar sci-fi film Moon. Moon follows Sam Bell (Sam Rockwell), a contract worker who harvests helium-3 from lunar soil, an essential energy source that has all but solved the climate crisis. Bell lives alone on the dark side of Earth’s moon, with only a chirpy AI for company. Bell’s basic needs are met. But his loneliness and isolation are palpable. He does his job, has hobbies, and supplements human contact...

What is the 180° Rule, Anyway? It's the golden rule of film school and one of the most reliable tools in a cinematographer's toolkit. So, how does the 180° rule work? Sony Pictures Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about one of the core tenets of cinematography: the 180-degree rule. If you’re a film fan, there’s a good chance you’ve heard of the 180-degree rule. And if you haven’t, I can confidently guarantee that you’ve seen it in action. And even if you’re well-versed wit...