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Ariadne auf Naxos at Garsington with Natalya Romaniw

Ariadne auf Naxos, Garsington review - golden thread leads to deep emotion

When tears well up during stretches of Strauss and Hofmannsthal’s curious hybrid which you never expected to move you, something special's going on. The magic happened last night in an evening which I didn't anticipate equalling “the Carmelites experience” at Glyndebourne. But, in its very different way, it did, in terms of casting, conducting and a production (by Bruno Ravella) that wasn’t too interventionist but had some powerful ideas of its own.

The strong cast brings the more consistent personality and character to Garsington s pared down Mitridate – Seen and Heard International

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Peter Grimes review – Compelling, unsettling and ravishingly sung

Deborah Warner’s detailed new production sets Britten’s opera in a decayed coastal town in post-Brexit Britain. Allan Clayton – on top form – leads an outstanding cast; conductor Mark Elder emphasises the score’s beauty and well as its violence

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