'Crowd' Review: A Slow-Motion Rave, With Glints of Violence
The choreographer Gisèle Vienne aims to open the doors of perception and bend our experience of time in “Crowd,” at the Brooklyn Academy.
Source: nytimes.com
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Boris Charmatz/Gisèle Vienne review – sleepwalking, with vampires
One French choreographer whistles during his dance in Somnole, while another takes us into a dark, murderous forest in This Is How You Will Disappear
Source: theguardian.com