Salt and Scrap Metal: How Curator Emily Edwards Is Leaving Her Mark on Dallas Contemporary Art
The Dallas Contemporary's curator is bringing new, exciting, and challenging work to the museum.
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The Dallas Contemporary's curator is bringing new, exciting, and challenging work to the museum.
AdNews rounds up the month's pitch news.
Keep Left at the Fork opens with two hands maybe grasping for, maybe pulling away from one another. Jesus is watching from a wrist. As the title of the imposing work suggests, in this gaze are The Eyes of Texas (2022). The ambiguity of charged space between contact sets the tone for Chloe Chiassons solo museum debut at Dallas Contemporary; here, enormity and iconography suggest how home and history are constantly rejecting us and beckoning us back. Through a grouping of nine large-scale mixed-media paintings and sculptures, the artist succeeds in imbuing queer expression into scenes of A...
Making the world more accessible.
National PR and creative agency Keep Left has created an integrated campaign for Guide Dogs NSW with the long-term goal of making the world more accessible for people with blindness or low vision. ‘For a Boundless World’ is the first integrated campaign for Guide Dogs NSW in four years. It com