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Following the critically acclaimed live performance Amazing Grace / RGB at the Apollo Theater in 2019, Paul Pfeiffer and the University of Georgia Red
“I’ve never been interested in institutions per se,” Renée Green explained to me over Zoom in late November. “Always more so in the dreaming, in the fictional aspects that open up possibilities of how someone can live.” Amid a comprehensive survey of her work taking place at the Kunst Werke and daadgalerie in Berlin, the artist, filmmaker, and writer and I sat down in our respective homes in the city and discussed the current restaging of a work from 1990. In keeping with Green’s multilayered and associative forty-year practice, our conversation took off from this premise and circ...