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malta, could see him lose half a stone a day. malta, could see him lose half a stone a day-— a stone a day. this is identical— a stone a day. this is identical to _ a stone a day. this is identical to my - a stone a day. this is - identical to my costume. this was another man's costume, but it's identical in every way, all 28 kilos worth. which was some fun in the dubrovnik sun because the sun would hit the breastplate and then you would start to cook. so it was quite interesting to wear, but i have to say one thing: when you put that costume on, well. you are a king �*s guard. that costume on, well. you are a king 's guard-— a king 's guard. the studio tour is built _ a king 's guard. the studio tour is built around - a king 's guard. the studio tour is built around where l a king 's guard. the studio - tour is built around where some of the show�*s filming took place. much of its success is derived from the huge scale of the production, but also attention to detail. here you can see, close up, the costumes, the weapons, the set designs, the make up and the prosthetics. husband and wife team sarah and barry gower are responsible for turning fancy tv into what looks like reality

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