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Art
When photographer and community advocate Sarah May began learning more about her indigenous, Salvadoran heritage five years ago, it pulled her into a creative dialogue with her roots and helped her claim a deeper relationship with a culture she’s distanced from but still feels an intense connection to. “There is generational
Sarah May, The Lemon Immigrant, photograph collage, 2020.
heritage that’s been passed down, and part of these people is still living in you. When I create my art, I’m thinking about my relationship with my ancestors,” says May. As a second-generation, biracial American, her identity flows between different worlds, and her use of cyanotypes and multi-exposure photography brings into focus these crossroads between time, culture and language. ....

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