Most reviews of Minari, the Korean-American film about a family settling in 1980s Reagan-era Arkansas, describe the two-parent, two-child-plus-grandmother characters as “immigrants.” This is not accidental. Reviewers interpret the film as confirming their sentiments about the immigration crisis, even if it means overlooking that the characters actually are U.S. citizens. Fact is, Minari is a nostalgic, semi-autobiographical film, written and directed by Lee Isaac Chung, a Yale graduate who was born in Denver, Colo. Advertisement When reviewers condescend to Minari’s ethnic exoticism...