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Carleton Carpenter, Stage and Screen Actor, Passes Away at 95 - Vimarsana News

Carleton Carpenter, Stage and Screen Actor, Passes Away at 95

Carleton Upham Carpenter, Jr. (95) an American film, television and stage actor, songwriter, and novelist died Monday, January 31, 2022 in Warwick, NY.  He had been in declining health for some years.

Carleton Carpenter, Stage and Screen Actor, Passes Away at 95 - Vimarsana News

Carleton Carpenter, Stage and Screen Actor, Passes Away at 95

Carleton Upham Carpenter, Jr. (95) an American film, television and stage actor, songwriter, and novelist died Monday, January 31, 2022 in Warwick, NY.  He had been in declining health for some years.

Movie Review: 'Minari' Pushes Diversity Propaganda - Vimarsana News

Movie Review: 'Minari' Pushes Diversity Propaganda

Most reviews of Minari, the Korean-American film about a family settling in 1980s Reagan-era Arkansas, describe the two-parent, two-child-plus-grandmother characters as “immigrants.” This is not accidental. Reviewers interpret the film as confirming their sentiments about the immigration crisis, even if it means overlooking that the characters actually are U.S. citizens. Fact is, Minari is a nostalgic, semi-autobiographical film, written and directed by Lee Isaac Chung, a Yale graduate who was born in Denver, Colo. Advertisement When reviewers condescend to Minari’s ethnic exoticism...

Why Didn't Movies about Passing Cast Black Actors? - Vimarsana News

Why Didn't Movies about Passing Cast Black Actors?

Passing movies also tended to cast white actors in the roles of mixed-race characters who passed as white. But that wasn’t the case with the original version of Imitation of Life, made in 1934. Fredi Washington made history by being the first Black actress to play a character (“Peola”) who passes as white. Even more unusually, two Black children were cast to play the part of Peola at ages three and seven. The Production Code Administration (PCA), the industry’s self-censorship office, was roiled by director John Stahl’s casting choices. The PCA’s “voluminous” file on the film...

Source: jstor.org
In considering Blackness, Pixar's Soul stumbles into a frustrating trope - Vimarsana News

In considering Blackness, Pixar's Soul stumbles into a frustrating trope

Soul, including the ending.] is Pixar’s first film with a Black protagonist, but the story never accepts the narrative complexities of Blackness. It’s a film where the Black character is either a blue blob or a cat for much of the action, but is rarely in his own Black body. It’s a film where a supposedly raceless character takes over a Black body, causing the Black character to minimize his own dreams for a symbiotic good. Soul opens as a story about finding individual purpose in life. But when the nebulous character 22 enters the fray, the animated jazz odyssey becomes a wholly diffe...