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The murder mystery courtroom drama has set a date to recommence its run at London's County Hall

New dates announced for Agatha Christie’s Witness for the Prosecution April 15, 2021 Last updated: April 15, 2021 New dates are announced today for the return of Agatha Christie’s Witness for the Prosecution at London County Hall on the Southbank. As the Government Roadmap will not permit the return of full capacity audiences by the planned reopening date of 18 May, performances will now resume from 3 August 2021. The production is booking through to 20 March 2022. Tickets are on sale at www.witnesscountyhall.com. Casting to be announced soon. Alexandra Guelff in Witness for the Prosec...

Theater-Music The Play with Rocky Bleier, an intimate portrait of famed Pittsburgh Steeler, four-time Super Bowl Champion and wounded warrior,  Rocky Bleier, will be presented by Broadway On Demand.  The Play, written by  Gene Collier and directed by  Scott Wise, will stream starting Friday, January 8 through Sunday, January 17, only on BroadwayOnDemand.com. Filmed in late 2019, at the Lincoln Park Performing Arts Center in suburban Pittsburgh, Pennsylvania,  The Play with Rocky Bleier is an intimate portrait of Rocky Bleier’s multi-faceted career. To purchase tickets ($14.95), pl...

Courtroom drama Witness for the Prosecution has set a return date for later this year, once more performing at the County Hall in London. Based on the Agatha Christie tale of the same name, the show is directed by Lucy Bailey. Producers Eleanor Lloyd and Rebecca Stafford said: "We cannot wait to bring Witness for the Prosecution back to the magnificent setting of London County Hall and share Agatha Christie's courtroom spectacle with audiences once again. When the theatres were closed last March we had just celebrated our 1000th performance having played to over 325,000 people over two and ...

Last modified on Wed 23 Dec 2020 04.02 EST 10 National Theatre, London Rafe Spall gave one of the most virtuosic performances of the year in Clint Dyer and Roy Williams’ one-man show about class, race, identity and inheritance. He played Michael, a tormented working-class man grappling with the legacy of a racist father. Stalking the length and breadth of the stage, which was designed in the shape of a St George’s Cross, Spall performed with the punkish energy of a man possessed. His drunken eulogy at his father’s funeral was an exemplar of a dramatic meltdown. Read the full review. 9 C...