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BBCNEWS This Cultural Life June 4, 2024 02:49:00

Against the eunuchs, a play by david halliwell. you ve described this experience as a life changing experience. why? because. david halliwell, who was a close friend and a very talented guy, he s no longer with us, but he wrote the play so that he could play the main character, malcolm scrawdyke, and to cut a long story short, he was impossible to direct. he d say, oh, a director s just a chairman. i d say, why don t you move over there on that.? he d say, why? i could move there, i could move anywhere. and so. at this point, i d already. we d talked about this, i d already formulated notions about. cos i wanted to write and direct and i d formulated notions about other collaborative ways of making work. and this experience, ....

David Halliwell , Play For Today , Malcolm Scrawdyke , Cut A Long Story Short , Why Don T , Making Work ,

BBCNEWS This Cultural Life June 4, 2024 02:36:00

Are used to go to the movies, i used to watch westerns, from the earliest age, i remember there were two things, one major thing i always thought about, wouldn t it be great if you could have a film where the characters in the film were like real people, not like actors, and the other thing, a far less significance, or no importance at all is watching westerns, because of the nature of the number of frames and the length of film, the wheels on a vehicle, a stagecoach would go around backwards, and i used to think when i make films, there will go around the right way, and it was a very early age. the first big cultural influence that you picked, that you suggest has had a formative effect on your work is ronald cell, illustrator, artist, best ....

Wouldn T , Making Work , Ronald Cell , The Illustrator ,

BBCNEWS This Cultural Life June 4, 2024 02:42:00

With is to get each actor to really make lists of real people they know. and i then, and this involves long discussions, one on one, with nobody else there, with each actor, and we gradually i finally whittle it down and choose the source, or usually sources, from people they know. so it means the actor has got somewhere to start, something to like an art. like the artists, like the students looking at the subject, at the model in the life drawing class the actor has got, you know, he or she is going to start to stand up and play this person they actually know, and then that person they know, and then we meld them together and the character is created. but of course, the two famous myths about what i do with actors is, one is that the actors come with ideas, and the committee is formed as to what the subject, that s not the case at all. in fact, it s very it s essential that they. ..when i say to an actor, participate in this piece of work, this play or this ....

One On , Life Drawing , Isn T A Character , It Didn T , Play For Today , Making Work ,

BBCNEWS This Cultural Life June 4, 2024 02:43:00

Film, we can t talk about a character, because there isn t a character. you and i are going to collaborate to create a character, and you will never know anything about the whole thing, except what your character knows. so they don t know about the other characters? not until, not until and unless they meet them in the context of the work. are they banned from talking to the other actors about. absolutely. but it works totally. everybody enters into the spirit of it, and there s never been a case where anybody has, as it were, broken the rules or cheated. people, they. ..actors are highly stimulated by it, because it means each actor feels in possession of something that only he or she has, and apart from anything else, it means that the actors can the actor doesn t have isn t distracted or inhibited, or in any way affected negatively by an overview. he or she, each actor or actress, sees the whole thing from the point of view of the character, but it mostly means that we can explo ....

Isn T A Character , It Didn T , Making Work , Doesn T Have Isn Distracted , Point Of View ,

BBCNEWS This Cultural Life June 4, 2024 15:50:00

Because. david halliwell, who was a close friend and a very talented guy, he s no longer with us, but he wrote the play so he could play the main character, malcolm scrawdyke. and to cut a long story short, he was impossible to direct. he d say, oh, a director s just a chairman. i d say, why don t you move over there on that.? he d say, why? i could move there, i could move anywhere. and so. at this point, i d already. and we ve talked about this, i d already formulated notions about. because i wanted to write and direct and i d formulated notions about other collaborative ways of making work. and this experience, much though i felt. think the play is great and much ....

David Halliwell , Play For Today , Why Don T , Malcolm Scrawdyke , Cut A Long Story Short , Making Work ,