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BBCNEWS This Cultural Life June 4, 2024 15:49:00

Without any question, a simple statement about democracy, i think my films must be understood to be implicitly political, rather than overtly political. you once said, i m going to quote you here, i know i return endlessly to the same preoccupations, but i m not always aware of it initially. what are those preoccupations, do you think? well, i mean, if you look at my films and plays, you know, about how we live, relationships, work, responsibility, surviving, secrets and lies, you know, the stuff of living really. class ? and class, yes. it s funny, it s interesting, i didn t put that instinctively at the top of the list, but fair do s, you know. could you characterise a typical mike leigh film? what sort of films does mike leigh make? no, i couldn t do that and i m not going to try. you ve chosen as your next cultural moment an experience from 1965. you directed the original production of little malcolm and his struggle against the eunuchs, a play by david halliwell. you ve describ ....

Making Work , Secrets And Lies , Mike Leigh , David Halliwell , Little Malcolm And His Struggle Against The Eunuchs ,

BBCNEWS This Cultural Life June 4, 2024 15:41:00

Related to theatre or film, was the foundation course at camberwell. but it was there that i had a really seminal experience as an artist. we were all sitting around. ..and had a nude model, and everybody was quietly drawing away, and i looked around the room, and i thought, what is happening in this room is something that we never experienced for one split second at the royal academy of dramatic art. really creative work is happening, everybody in the room is looking at something that s real and finding an organic, truthful way of expressing it, which we didn t do as student actors. it was all mechanical and superficial and inorganic, and therefore dull. and that revelation, in that moment, in the life drawing class that, you know, absolutely resonated with notions that i had on the go, ....

Hampstead Theatre , Foundation Course , Split Second , Making Work , Student Actors , Life Drawing ,

BBCNEWS This Cultural Life June 4, 2024 15:37:00

I used to go to the movies. i used to watch westerns from the earliest age. i remember there were two things that one major thing that i always thought about films was, wouldn t it be great if you could have a film where the characters in the film were like real people, not like actors? and the other thing, which is of far, far less significance, or of no importance at all, is that watching westerns, you know, because of the nature of the number of frames on a length of film, the wheels on the, on a vehicle or a stagecoach would go around backwards. yes. and i used to think, sit there thinking, when i make films, they ll go round the right way. now that was from a very early age. the first big cultural influence that you ve picked, that you suggest has had a formative effect on your work, is ronald searle. illustrator, artist, best known for st trinian s, for creating st trinian s and for the molesworth books, and also contributing illustrations and drawings to so many books ....

The Movies , Wouldn T , Watching Westerns , Ronald Searle , Making Work , The Illustrator , St Trinian S , Molesworth Books ,

BBCNEWS This Cultural Life June 4, 2024 15:44:00

In the context of the work. are they banned from talking to the other actors about. absolutely. but it works totally. everybody enters into the spirit of it, and there s never been a case where anybody has, as it were, broken the rules or cheated. people, they. ..actors are highly stimulated by it, because it means each actor feels in possession of something that only he or she has, and apart from anything else, it means that the actors can the actor doesn t have isn t distracted or inhibited, or in any way affected negatively by an overview. he or she, each actor or actress, sees the whole thing from the point of view of the character, but it mostly means that we can explore situations in a completely truthful and organic way and arrive at the dramatic material. and on set, are you ever writing down the lines and putting them on a piece of paper? no, i don t write and give to the actors because we don t need to. it comes out. ....

Making Work , Doesn T Have Isn Distracted , Isn T A Character , Point Of View ,

BBCNEWS This Cultural Life June 4, 2024 15:43:00

From people they know. so it means the actor has got somewhere to start, something to like an art. like the artists, like the students looking at the subject, at the model in the life drawing class the actor has got, you know, he or she is going to start to stand up and play this person they actually know, and then that person they know, and then we meld them together and the character is created. but of course, the two famous myths about what i do with actors is, one is that the actors come with ideas, and the committee is formed as to what the subject, that s not the case at all. in fact, it s very it s essential that they. ..when i say to an actor, participate in this piece of work, this play or this film, we can t talk about a character, because there isn t a character. you and i are going to collaborate to create a character, and you will never know anything about the whole thing, except what your character knows. so they don t know about the other characters? not until, not u ....

Life Drawing , Isn T A Character , Play For Today , Making Work ,