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The creative force behind West End hit, The Picture of Dorian Gray, is to step down at the end of the year from his full-time role at the flagship company he has led for eight years.
This production's lyricism - physical, sound, movement - makes me an active audience member, and wins me over.
Alexander Zeldin’s new production is based on the life of his own mother, but his most personal work yet doesn’t have the naturalistic power of his acclaimed earlier trilogy of plays