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house. welcome to this cultural life. your life has always run through your art but when did the art start? it took off at school because i missed so much school. i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three days a week by law, otherwise my mum would have been in trouble with social services and things, ijust did whatever i wanted to do in art, and i think that s what it was, really, it had become me in a serious way and because the teachers took me seriously and trusted me, that was quite a fantastic thing at the age of 15 when no one else did, and i didn t have much else to hold onto at the time and if i had not have done art at school, i think god knows who would have happened to me. no idea. this was margate where you grew up. was there any access to museums, galleries, culture? no, see, i didn t even know art museums really existed. there was something like in my mind, when i wa ....
hello i am john wilson. welcome to this cultural life, the radio four podcast. my guest is tracey emin, an artist who has always put her own life at the centre of her work in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in bbc broadcasting house. tracey, welcome to this cultural life. your life has always run all the way through your are right but when did the art start? yet they make the art then took off at school because i missed so much skill. i stopped going to school when i was about 13 and had to go back and i was 15. i went back for three months and i had to do three days a week, by law, otherwise my mum would have been in trouble with social services and things. i just did whatever i wanted to do an art and i think that is what it was really. it really sort of, it became me if that makes sense. in a serious way. and i think, because the teachers took me seriously, and trusted me, that was quite a ....
hello, i m john wilson. welcome to this cultural life, the radio four podcast in which i ask leading creative figures to reveal key moments and cultural works that fired their imagination and had a profound impact on their own art. my guest is tracey emin, an artist who has always put her own life at the centre of her work. in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in the bbc broadcasting house. welcome to this cultural life. your life has always run through your art but when did the art start? it took off at school because i missed so much school. i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three days a week by law, otherwise my mum would have been in trouble with social services and things, and ijust did whatever i wanted to do in art, and i think that s what it was, really, it had become me in a serious way a ....
who has always put her own life at the centre of her work, in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in the bbc broadcasting house. welcome to this cultural life. your life is always has gone through your art but wended the art stop? it took off at school wended the art stop? it took off at school because - wended the art stop? it took off at school because i - wended the art stop? it took. off at school because i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three months and i had to do three days a week by law, otherwise my mum would have beenin otherwise my mum would have been in trouble with social services and things, and ijust did whatever i wanted to do, and i think that s what it was really, it had become me in a serious way and because the teachers took me seriously and trusted me, that was quite a fantas ....
This is the uj 22. Also on the battlefield much smaller drones, the sort were more used to people use them at home and commercially. These can be used for reconissance. Filming footage of opposition controlled areas. They can also be adapted to drop grenades or similar small explosizes like this small mortar. Grenades or similar small explosizes what grenades or similar small explosizes else makes di from what else makes drones different from other weapons . I talked about this earlier with an expert in Electronic Warfare in air defence. In a Research Fellow in sea power at the Royal United Services institute for that generally speaking, what you tend to see is a loitering munition effectively if you can imagine a missile with rather than simply going from point a to point b is able to be launched, able to ci ....