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Rhiannon Giddens to be music director, perform at Ojai Music Festival - Vimarsana News

Rhiannon Giddens to be music director, perform at Ojai Music Festival

Musician and composer Rhiannon Giddens will become music director and perform during the 77th Ojai Music Festival in June.

Source: vcstar.com
Magos Herrera: "Remanso" - Vimarsana News

Magos Herrera: "Remanso"

The award-winning Mexican singer and composer presents the music she created during the pandemic. 

Source: as-coa.org
Mario Gotoh: One-to-one gigs keep it mezzo piano - Vimarsana News

Mario Gotoh: One-to-one gigs keep it mezzo piano

As a Grammy-award winning musician, Mario Gotoh has played the Sydney Opera House and Carnegie Hall. She performed beside Stevie Wonder at Madison Square Garden, in front of 20,000 people.For her

KUOW - One-To-One Concerts Bring Listeners Back To Live Music, One At A Time - Vimarsana News

KUOW - One-To-One Concerts Bring Listeners Back To Live Music, One At A Time

2 slides Credit: Brooklyn Academy of Music One-To-One Concerts Bring Listeners Back To Live Music, One At A Time By at 1:25 pm NPR On a grey, drizzly Sunday afternoon, I arrived at an industrial building in the Brooklyn Navy Yard. I was there for something called a One-to-One Concert, but I genuinely had no idea what to expect – what kind of music I'd hear, or even where I'd hear it. After a temperature check, a masked woman approached me. Her name was Stacy, an usher employed by the Brooklyn Academy of Music, the event's presenter. As we walked thr...

Source: kuow.org
One-To-One Concerts Bring Listeners Back To Live Music, One At A Time - Vimarsana News

One-To-One Concerts Bring Listeners Back To Live Music, One At A Time

Originally published on May 14, 2021 3:07 pm On a grey, drizzly Sunday afternoon, I arrived at an industrial building in the Brooklyn Navy Yard. I was there for something called a One-to-One Concert, but I genuinely had no idea what to expect – what kind of music I'd hear, or even where I'd hear it. After a temperature check, a masked woman approached me. Her name was Stacy, an usher employed by the Brooklyn Academy of Music, the event's presenter. As we walked through a noisy corridor, Stacy gave me one very strict instruction for the performance I was about to see: no applause.