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The Handmaid's Tale - Progress

The Handmaid's Tale - Progress
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The Handmaid's Tale - Testimony


 
The Handmaid’s Tale “Testimony” was written by Kira Snyder and was directed by star Elisabeth Moss (June). As always, she does a wonderful job, eliciting fantastic performances from her fellow actors. Of course, the show’s own well-established visual palette is also in full view. The episode sees almost all of our characters experiencing transitions – and they may not all be good. Actions have consequences, and those that have been long simmering find an outlet in this episode. 
The opening song in this episode is telling and helps to put the rest of the episode into perspective. The song is “Glory Box” by Portishead. The lyrics declare the singer has been a “temptress for too long” and she’s going to “leave it to the other girls to play.” She wants a reason to love someone, but she just wants to be a woman. “From this time, unchained/We’re all looking at a different picture” – and June has broken free from Gilead – but has she broken free from her emotional chains? Of course, as the music plays, June is cutting her hair – and that really reminded me of Samson and Delila. The Handmaid’s are not allowed to cut their hair, and it was one of the first things June did when she first escaped and hid at the Boston Tribune. She’s made herself less feminine – at least according to Gilead standards. The song goes on to ask “move over, and give us some room,” and asks men to see it from their point of view as women. It’s the perfect song for this show! The scene shows June sensually cutting her hair and ends with a close up of her face and eyes – she even smiles slightly, but she’s upside down to the camera…

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The Handmaid's Tale - Home


 
The Handmaid’s Tale “Home” was written by Yahlin Chang and was directed by Richard Shepard. As the title suggests, the episode focuses on June’s (Elisabeth Moss) return ‘home’ – or at least to a home with Luke (O-T Fagbenle) and Nicole and Moira (Samira Wiley). Acting kudos for this episode have to go to Moss, Fagbenle and Yvonne Strahovski (Serena), who once again manages to suck everyone in, including the audience, before revealing her true feelings and emotions…
The episode once again begins exactly where we left off, with June stepping off the gangway of the ship that brought her onto the soil of Canada. There is a terrific shot of her breath which you can see in the cold air. Here is this woman, who has been an unseen presence finally becoming manifest. Can she live up to the legend she has become? Could anyone? I love that the show has shown us that June is far from perfect – and has also shown us an outside view of what others think based upon their more limited knowledge. It’s a terrific commentary on the same real world phenomenon with both political figures and celebrities of all kinds.

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'The Handmaid's Tale' Season 4, Episode 7 Recap: I'm Not Crying, You're Crying

June struggles to feel at home with her newfound freedom in Canada, but she finds her purpose when she confronts Serena. Elisabeth Moss offers up one of her best performances in 'Home.'

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The Handmaid's Tale - Milk

The Handmaid's Tale - Milk
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The Handmaid's Tale - Pigs


 
The Handmaid’s Tale returned for its fourth season with “Pigs” written by Bruce Miller and directed by Colin Watkinson. The show picks up right where it left off after June (Elisabeth Moss) was shot. I will be reviewing each episode separately – even though they dropped 3/1 or 2/2 depending on where you are watching. My apologies for getting these up a bit late, but it’s never too late to discuss this brilliant show, and we all know what “real” life can be like these days!
The show remains as brilliant as ever with gorgeous cinematography and musical choices. “I’ll Say A Little Prayer for You” plays over a montage of the handmaid’s carrying a wounded June, trying to save her life as she bleeds alarmingly from her bullet wound. White and red mix and blur. This is her sacrifice and her punishment for getting the children out. Staying itself is also a metaphorical wound. 

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