Will the real Isabel Rawsthorne please stand up?
Early in her new book about Isabel Rawsthorne, Carol Jacobi steps briefly out of her role as biographer to note conventions that bedevil art historians and biographers alike, particularly when addressing overlooked female artists. “Sex, conception and reproduction are marginalised events in art history, appropriated by biography, or neglected merely as such,” she writes. “They are particularly problematic when the artist is a woman, often set aside as ‘other’ to her art making or incorporated into a reduction of that making to self-reflexive illustrations of her life.” The event ...