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Max Ophüls’s 1950 tale of dalliances in early-20th-century Viennese cafe society is a tantalising waltz of licentiousness and emptiness
As Past Lives, a tale of lost love and roads not taken, hits cinemas, get out the tissues as we recall some of cinema’s most heart-wrenching, tortuous romances
The Oscar-winning film director on the leap from fiction to film, creative control as a director, and inspiration for his latest novel ‘The Well of Saint Nobody’
Review of a Netflix series on the efforts to get refugees out of Marseilles in 1940-41
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The writer and film director’s new novel, The Well of Saint Nobody, picks up a theme familiar to fans of his work