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Taking a page out of Gothic romance, Paul Thomas Anderson reunites with Daniel Day-Lewis in a bracing, bizarre story set in the high fashion world of 1950s London.
Joe Wright is at his best when he’s making movies about love. They may not always have a happy ending. In fact, they usually don’t. But truly romantic movies seem to be a rarer and rarer thing in contemporary cinema and, like Max Ophuls and Jacques...
Joe Wright is at his best when he’s making movies about love. They may not always have a happy ending. In fact, they usually don’t.
Joe Wright is at his best when he’s making movies about love. They may not always have a happy ending. In fact, they usually don’t. But truly romantic movies seem
Joe Wright is at his best when he’s making movies about love. They may not always have a happy ending. In fact, they usually don’t. But truly romantic movies seem to be a rarer and rarer thing in contemporary cinema and, like Max Ophuls and Jacques Demy before him, Wright is almost peerless in his ability to make an audience swoon and suffer in maximalist splendor.