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This Cultural Life

i mean, it's broad and extraordinary and she created all that and it was like, "oh!" and my absolute, like — i cannot believe what she did. and how she could get a laugh — and she would do anything for a laugh — and how wonderful that is, releasing into physical comedy that way. it's so fun. but with a character like satine, you're creating — you're creating a character from scratch. with virginia woolf, you're interpreting it. with lucille ball, it has to be more of an impersonation, i guess, doesn't it? no! you have to study her. no, no. i mean, study her but aaron sorkin was adamant it wasn't to be an impersonation. he was like, "i don't want an impersonation". in recent years, you've become a producer as well. you've brought us the big little lies and the undoing and nine perfect strangers. did you have any ambition to director as well? no.

Way , Anything , Character , Comedy , Me-satine , Doesn-t , Wasn-t , Impersonation , Aaron-sorkin , I-don-t-want-an-impersonation , Scratch , Lucille-ball

This Cultural Life

i'm so happy i got to be satine. and i got to do it with ewen and i have such magical memories of it and i find the film magical and he's — baz is magical. you played satine, the consumptive courtesan, opposite ewan mcgregor as the struggling writer. was it the first time you'd sung professionally? i'd sung at drama school, you know, when i would go to the little weekend drama schools. i was never that good. i always had friends who could belt it out and i was never a belter. but baz, when i went and auditioned for him, he had the audition with the song # nobody does it better. that song — which is not in the movie — and i remember sort of acting singing it. and baz onset as a director, what did you take away from him? well, he's an actor. he started as an actor. so, he can act it. so, you're getting that support.

Called-walkabout , Memories , Baz-luhrmann , Me-satine , Ewen , Consumptive-courtesan , Good , Friends , Time , Weekend-drama-schools , Writer , Belter

This Cultural Life

woolf. what did you learn from playing woolf, do you think? i mean, david hare gave me one of the greatest monologues, you know, about choice, and it is my choice. i still know those words. and deeply believe in them, may i add. it is my choice as a human being. your next choice, a big turning point in your career, and you've already mentioned it, is baz luhrmann�*s musical moulin rouge. why have you chosen that? once again, took a massive chance with me. believed i could sing and dance and act in the same film. gave me satine, who ijust became and loved and people still think i am, and gave me that and i watched that film and i'm like, "i can't believe i made that!" i'm so happy that exists.

Choice , Me-one , Words , Monologues , Playing-woolf , David-hare , One , Doesn-t , Human-being , Career , Baz-luhrmann , Moulin-rouge

This Cultural Life

why have you chosen that? once again, took a massive chance with me. believed i could sing and dance and act in the same film. erm, gave me satine, who ijust became and loved, and people still think i am. she laughs and, erm... ..gave me that, and i watch that film, and i'm like, "i can't believe i made that. i'm so happy that exists. ..gave me that, and i watch that film, and i'm like, "i can't believe i made that. i'm so happy that exists. "i'm so happy i got to be satine and i got to do it with ewan." and i have such magical memories of it and i find

Erm , Lucille-ball-film , Chance , Film , Act , People , Who-ijust , Dance , Me-satine , Memories , Satine , Ewan

This Cultural Life

was an adaptation of lauren by schnitzer by david hare and shortly after that, you were working on another david hare adaptation and it was the hours. and you were playing virginia woolf. what did you learn? i virginia woolf. what did you learn? ., ., ., learn? i mean, david hare gave me one of _ learn? i mean, david hare gave me one of the _ learn? i mean, david hare gave me one of the greatest - me one of the greatest monologues, you know, about choice, and it is my choice. i still know those words. and deeply believe in them, may i add. it is my choice as a human being. add. it is my choice as a human beinu. ., . ., . ., add. it is my choice as a human beinu. ., . ., , being. your next choice, a big turnin: being. your next choice, a big turning point— being. your next choice, a big turning point in _ being. your next choice, a big turning point in your - being. your next choice, a big turning point in your career, i turning point in your career, and you've already mentioned it, is baz luhrmann's musical moulin rouge. why have you chosen that?— moulin rouge. why have you chosen that? . ., ., ., chosen that? once again, took a massive chance _ chosen that? once again, took a massive chance with _ chosen that? once again, took a massive chance with me. - massive chance with me. believed i could sing and dance and act in the same film. gave me satine who ijust became and

Adaptation , David-hare , Virginia-woolf , Schnitzer , Lauren , Choice , Me-one , Monologues , Words , One , It , Human-being

This Cultural Life

floor going —— moulin rouge. and that was improvised and so fun so there was comedy in that but lucy's physical comedy is clown. i mean, it's broad and extraordinary and she created all of that and it was like oh! and my absolute, like, i cannot believe what she did. and how she could get a laugh, and she would do anything for a laugh, and how wonderful that is. releasing into physical comedy that way. it's so fun. but releasing into physical comedy that way. it's so fun.— that way. it's so fun. but with a character like satine, - a character like satine, you're creating, you're creating a character from scratch with virginia woolf you're interpreting it. with lucille ball, it has to be more of an impersonation, i guess, doesn't it? ., ., impersonation, i guess, doesn't it? i, i, ,, , impersonation, i guess, doesn't it? i, i, ,, y , it? no, no. study herbert aaron sorkin was— it? no, no. study herbert aaron sorkin was adamant _ it? no, no. study herbert aaron sorkin was adamant it _ it? no, no. study herbert aaron sorkin was adamant it was - it? no, no. study herbert aaron sorkin was adamant it was not l sorkin was adamant it was not to be an impersonation. he said he did not want an impersonation. in

Comedy , Physical-comedy , Floor , Moulin-rouge , Clown , Lucy , Anything , Laugh , Way , Character , Me-satine , Scratch

This Cultural Life

loved and people still think i am and gave me that and i watched the film and i was like i can't believe i made that. i'm so happy that exists. i'm so happy i got to be satine. and i got to do it with ewen and i have magical memories of it and baz is magical... you -la ed it and baz is magical... you played satine _ it and baz is magical... you played satine the _ it and baz is magical... you played satine the consumptive courtesan opposite ewan mcgregor as the struggling writer. was it the first time you had sung professionally? i had sung a drama school when i would go to the little wing in drama school. i was never that good. i always had friends who could belt it out and i was ever a belt about baz, and i went and auditioned for him, he had the audition with the song # nobody does it better. that son: , # nobody does it better. that song. which — # nobody does it better. that song, which is _ # nobody does it better. that song, which is not _ # nobody does it better. that song, which is not in - # nobody does it better. that song, which is not in the i song, which is not in the movie, and i remembersort song, which is not in the movie, and i remember sort of acting singing it. and baz

Called-walkabout , People , Me-satine , It , Memories , Baz-luhrmann , Consumptive-courtesan , Ewen , You-la-ed , Ewan-mcgregor , Song , Him

This Cultural Life

one of the greatest monologues, you know, about choice, and it is "my choice". i still know those words and deeply believe in them, may i add. it is my choice as a human being. your next choice, a big turning point in your career, and you've already mentioned it, is baz luhrmann�*s musical moulin rouge. why have you chosen that? once again, took a massive chance with me. believed i could sing and dance and act in the same film. erm, gave me satine, who ijust became and loved, and people still think i am. she laughs and, erm... ..gave me that, and i watch that film, and i'm like, "i can't believe i made that. i'm so happy that exists. i'm so happy i got to be satine and i got to do it with ewan."

Choice , Human-being , My-choice , Monologues , Words , One , It , Chance , Career , Baz-luhrmann , Moulin-rouge , Turning-point