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The Kenneth Branaugh/Agatha Christie franchise (if that is the right word to use) has had somewhat of a troubling history, but now its third installment, A Haunting In Venice, is currently in theaters gaining praises from audiences. Branagh, working as both as director and star, began the project in 2017 with an
Everybody knows a theater kid. Or maybe they were one themselves. Either way, exposure to the Broadway-or-bust-minded does something special to a person. Modernity has shown that the theater has created a community in which many who have not found acceptance (say, because of their sexuality) in other places, are
Huesera: The Bone Woman is not horror’s next big thing, but its combination a scary story and motherhood themes makes for an interesting film.
To understand Beau Is Afraid, you must realize Ari Aster. The only problem is that knowing him may be an impossible feat. The director, usually known for his impressively beautiful visual style and disturbing imagery, presents himself as an artistic enigma. His first two films, Hereditary and Midsommar, are almost
As much as it often pains admirers of the arts to think about it, cinema is bound to industry. Box office dollars, budgets, and pay disputes are at the heart of Hollywood and the coverage that follows it. Similarly, the low-budget film has always been a source of interest, wildly when a small movie succeeds. For