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If you were exposed in any way to Matchbox Productions’ The Metamorphosis this term (probably on the OUDS Facebook), the words ‘binaural sound system’ probably accompanied it.
The intimate space of the Michael Pilch Studio has been put to effective use - the set is a mixture of camp and satanic
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Charlie Bowden reviews Darcey Willing and Katie Peachey's adaptation of Immaculate, a modern retelling of the Virgin Mary's story.
Courgette comedy meets the dark side of allotments: Samuel Strachan reviews Nocturne Productions' latest play, Fetid.