'Foreigners Everywhere,' Unpacked: What the Venice Biennale's Flipped Art History Really Means
Part 1 of a 3-part essay on the debates around "Foreigners Everywhere," the 60th Venice Biennale, curated by Adriano Pedrosa.
Source: artnet.com
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The Venice Biennale's Bare Minimum: Reviewing the Central Exhibition – Repeating Islands
Stephanie Bailey reviews the Venice Biennale’s central exhibition for Ocula. The excerpts below include her assessment of Cuban artist Wilfredo Prieto's Curtain and Puerto Rican artist and educator Pablo Delano's ongoing installation The Museum of the Old Colony. [. . .] Billed as the first edition led by an openly queer curator, Adriano Pedrosa, who is also the first…
Source: repeatingislands.com
Venice Biennale 2024 Review | Intimacy and violence: 'Foreigners Everywhere' explodes the Biennale model
Adriano Pedrosa's international exhibition combines the old and new to undermine Western narratives, but still creates a compelling survey of global contemporary art, in which Queer art stands out
Source: theartnewspaper.com