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Poetics of Encryption - Announcements

KW Institute for Contemporary Art is pleased to present its Spring Program 2024 with the extensive group exhibition Poetics of Encryption.

United-states , American , Nora-al-badri , Nadim-samman , Simon-denny , Trevor-paglen , Lara-scherrieble , Juliana-cerqueira-leite , Rindon-johnson , Roger-hiorns , Simonec-niquille , Oliver-laric

Exhibition program 2024 - Announcements

Kunsthal Charlottenborg announces its exhibition program for 2024, featuring internationally recognized artists such as Thao Nguyen Phan, Simon Dybbroe Møller, and Francis Upritchard.

Berlin , Germany , Haltrup , Syddanmark , Denmark , Milan , Lombardia , Italy , New-zealand , Danish , Thao-nguyen-phan , Pirelli-hangarbicocca

DIALOGUE: Mind Map - e-flux Agenda

DIALOGUE: Mind Map - e-flux Agenda
e-flux.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from e-flux.com Daily Mail and Mail on Sunday newspapers.

Seongdong , Kyonggi-do , South-korea , Shinan , Kyongsang-bukto , Seoul , Soult-ukpyolsi , Incheon , Inch-on-gwangyoksi , Singapore , Korea , Venice-biennale

New exhibition sheds light on Korea's most exciting artists and galleries

Initiated in 2019, this soon-to-be yearly show and its accompanying programme showcases the next generation of artistic talent in Korea.

South-korea , Seoul , Soult-ukpyolsi , Korea , Vytautas-michelkevi , Vennes-cheng , Tony-guillan-artangel , Bartomeu-mari , Plantlance-seongsu , Nadim-samman-kw-institute-for-contemporary-art , Instagram , Adrian-george-artscience-museum

Where did we come from? Epic Contemporary Calgary exhibit asks elemental questions about our origins

Later this year, a book will be published about Charles Stankievech’s wildly ambitious Contemporary Calgary installation, The Desert Turned to Glass.

Mexico , New-york , United-states , Namibia , Iceland , Japan , Tokyo , Denmark , Calgary , Alberta , Canada , Museum-of-modern-art

Julian Charrrière opens his most ambitious solo exhibition to date at Langen Foundation

Julian Charrrière opens his most ambitious solo exhibition to date at Langen Foundation
artdaily.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artdaily.com Daily Mail and Mail on Sunday newspapers.

Hannover , Niedersachsen , Germany , Tokyo , Japan , Paris , France-general- , France , Taipei , T-ai-pei , Taiwan , Switzerland

Carson Chan appointed as the first director of MoMA's Emilio Ambasz Institute

The Museum of Modern Art has appointed curator, writer, and educator, Carson Chan, as the first director of the museum’s Emilio Ambasz Institute for the Joint Study of the Built and the Natural Environment. He will also serve as a curator in the museum’s Department of Architecture and Design...

United-states , Spain , Berlin , Germany , Denver , Colorado , America , Philip-johnson , Dalal-musaed-alsayer , M-alassio-mo , G-porcarelli-moma-casa , Emilio-ambasz

You're in charge—'wormhole' KW digital exhibition takes viewers on a bespoke virtual voyage

Juliana Cerqueira Leite, Untitled (2021)
courtesy KW Institute for Contemporary Art
There have been plenty of innovations in the digital realm over the past year (indeed, one of the boons of lockdown is the expansion of the virtual world and the ensuing wave of illuminating digital offerings). The KW Institute for Contemporary Art in Berlin is pushing the digital envelope big time with its new exhibition
The Last Museum (until 6 June) curated by Nadim Samman, curator for digital sphere (disclosure: Dr Samman also used to write for
The Art Newspaper). The online show includes works by artists such as Nora Al-Badri, Nicole Foreshew and Juliana Cerqueira Leite. “Each artist was commissioned to author a sculptural group, to be installed at a physical site of their own choosing,” says Samman in a statement. The end result “is a website experience that unfolds as an interactive sequence of objects and places, navigable using bespoke tools. Visitors may have a sense that that the exhibition is a wormhole, of sorts,” he adds. Leite’s objects were installed in Santa Ifigênia, an area known for its electronics retail outlets in downtown São Paulo. Entering the space feels unsettling but invigorating—look out for the disembodied mouth and the “replacement of the website cursor with the artist’s own finger, dipped in plaster—a motif that gives another sense to the

Berlin , Germany , Santa-ifig , Juliana-cerqueira-leite , Nadim-samman , Nicole-foreshew , Nora-al-badri , Kw-institute-for-contemporary-art , Contemporary-art , Last-museum , Art-newspaper , Juliana-cerqueira

The digital age has truly dawned upon the arts, but what has the shift to online programming taught us?

This month marks a
year since the coronavirus pandemic initiated a series of global shutdowns across art organisations. The immediate effect of the pandemic was a swift shift to digital programming: exhibitions became walk-throughs;
fair booths became
virtual viewing rooms; and Q&As became video chats. The amount of material made available online, as well as its uptake among
the public, was overwhelming, fuelled perhaps by adrenalin
and sublimated panic.
“The digital sphere has always had this sort of secondary position, and people didn’t take it as seriously as they should
- Krist Gruijthuijsen
That flurry of initial activity has subsided, but the “new normal” is still emerging. What have been the effects of a year’s worth of online programming on art organisations, artists and audiences – and specifically for the Arab world?

Berlin , Germany , Dubai , Dubayy , United-arab-emirates , United-states , Washington , Sharjah , Ash-shariqah , Syria , Aleppo , Alab

Postgraduate art history students in UK say they are being encouraged to produce 'less rigorous and ambitious' research in light of pandemic

Before UK Research and Innovation announced its new advice, postgraduate students were already under pressure due to difficulties in accessing libraries and archives
Carl Court/AFP via Getty Images
UK postgraduate art and art history students say their research will be “seriously compromised” after the higher education funding body, UK Research and Innovation (UKRI), asked new and early-stage students to adapt their theses in the wake of the coronavirus crisis. UKRI is a non-departmental public body which brings together seven research funding organisations including the Arts and Humanities Research Council; it supports around 20% of all UK-based postgraduate researchers.
UKRI’s policy review in November prompted 770 academics belonging to the University and College Union to write a letter criticising the treatment of postgraduate students. Signatories from institutions such as the Royal College of Art say that, while they welcome UKRI’s early response to the crisis, which focused on those students close to submission, the review has failed those in the middle years of their research, who are “likely more seriously impacted than those early on in their research”. The review, they added, noted that 77% of those not in the final year were in need of an extension. Rory Duncan, the UKRI’s director of talent and skills, responded that the organisation had developed a portfolio of interventions including £60m additional funding for doctoral students.

United-kingdom , Berlin , Germany , London , City-of , Nadim-samman , Rory-duncan , Stephen-whiteman , Carl-court , Courtauld-institute , United-kingdom-research , Royal-college-of-art