When the electricity came to FST | Arts and Entertainment
Info: Call 366-9000 or visit FloridaStudioTheatre.org Bufford’s revue deftly mingles anthems and anecdotes. She also plays with genre expectations, and turns a few old songs inside-out so you’ll hear them in a new way. She notes that, “The proof of a good song is you can bend it and it still won’t break.” Bufford kicks off Act I with “Everything Old is New Again,” (1974) and dials the clock back to the dawn of the 20th century to prove how flexible the old songs can be. She dusts off chestnuts like “Won’t You Come Home Bill Bailey?” (1902) and traces the drunkard’s walk ...