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In his novel
If On A Winter’s Night A Traveler, Italian writer Italo Calvino observed, “The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.” That statement is insightful enough and broad enough to apply figuratively to any form of art. But Mohammad Rasoulof’s
There Is No Evil, which won the Golden Bear (or top prize) at Berlin last year, puts a literal spin on it. A collection of four thematically connected stories about Iran’s death penalty and the demoralizing impact of state-sanctioned killing, this elegantly written and humanely acted movie extends empathy in multiple directions, including towards those struggling with the burden of “just following orders.” The film’s as compassionate as it is unsettling, and as provocative as it is poignant.

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