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The time. larry: you had other words for that, too? there was a marsha for that? no marsha, no marsha. larry: have you written a song that you thought would be a smash and wasn t? we all have that. every songwriter has a song that they think is going to be incredible and then huh-uh. larry: what is one that disappointed you? i think the the song all about the love again. i wrote that a while back, and then recently we put it on the album for president barack obama in the campaign. and i remember when i wrote the song,ed idea of it the idea of it, the melody was catchy ooh oh yeah that sound so good to me larry: how could that miss? i know, what s up? ooh oh yeah that sounds so ....
i just called to say i love you i just called to say how much i care larry: does the lyric come to you right away too? well, the lyric for that came from me having some words already and then putting them together in a way that worked good for the film and equally as important for the song. larry: did you know it was going to be a hit? i knew it was going to be a hit. i knew that. larry: i thought you would know that. because how could that not be a hit? no. i just felt good about it all the time. i remember playing it for different times, different birthdays and stuff. but i still only had certain words i would just make up at the time. larry: you had other words for that, too? there was a marsha for that? no marsha. no marsha. larry: have you written a song you thought would be a smash and wasn t? oh, we all have that. every single writer has a song that they think is going to be ....
Sorry, marsha. larry: oh, marsha, you re sorry today, aren t you? when you think she s probably saying, well, it was about me anyway so, whatever. larry: when you think the song out, someone has to write down all the notes, right? well, you know, in today s technology you can play on a keyboard like this or any of the other keyboards or piano and through midi, which is the technology that takes, based on numbers, digital, information and take that information and convert that into the the writing of each note that you play. the amount of beats. the bars that you play. the song ends. so that s how it happens today. now larry: the machine can write the note? yeah, there s a machine that can write. through the computer and software it can be written out. larry: are you always thinking of music? are you always sort of writing in your head? ....
You i just called to say how much i care larry: do the lyrics come to you right away, too? well, the lyric for that came from me having words already and then putting them together in a way that worked good for the film and equally as important for the song. larry: did you know that it was going to be a hit? i knew it was going to be a hit. i knew that. larry: i thought you would know that. because how could that not be a hit? i just felt good about it all the time. i remember playing for it at different times, different birthdays and stuff. larry: had you other words for that, too? was there a marsha for that? no marsha. larry: have you written a song that you thought would be a smash and wasn t? oh, we all have that. every single writer has a song that they think is going to be ....
Get through. i said well, i am mick jagger. oh, you are. why didn t you say that? and they let me through. larry: did you like their music? yeah, i did. larry: you did. okay. when you write a song, where does it like my cherie amour. what i beautiful song. where did that come from? that song really it was originally called oh, my masha oh, my marsha larry: my marsha? yeah. oh, my marsha how i wish that you were mine larry: so why did you change it? marsha and i broke up. and so the lyricist the lyricist sylvia moore wrote my cherie amour. ....