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Champion (1949), one of many boxing films of the 1930s and 1940s, made a sculpture – and a star – of Kirk Douglas. In one of the few non-fight scenes, Douglas, as middleweight Midge Kelly, agrees to pose for an artist (Lola Albright), but quickly gets bored.A bruiser in and out of the ring, he’s got his eye on the artist. So he drops his robe, crushes his clay likeness, and moves in, even though she’s his manager’s wife. Midge is always on the make. What Midge wants, he takes. Women, trainers, managers. And he bails on them like a snake sheds its skin.

Where Nothing Happens: In Samuel Beckett’s 'Waiting for Godot', Some Notes On Biding Time During Pandemic The celebrated play, which thrives in its absurdity and unending wait, carries an uncanny resemblance to life in 2020 Wikimedia Commons Saumya Kalia 2021-01-12T09:10:55+05:30 Where Nothing Happens: In Samuel Beckett’s 'Waiting for Godot', Some Notes On Biding Time During Pandemic outlookindia.com 2021-01-14T17:42:03+05:30 An empty canvas, with the exception of a nondescript tree and road. Two men quickly fill the scene; Estragon sits, as Vladimir walks i...