Review: Los caballos mueren al amanecer
03/05/2022 - Ione Atenea's sophisticated second film makes you want to play-act again, like we did when we were kids
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03/05/2022 - Ione Atenea's sophisticated second film makes you want to play-act again, like we did when we were kids
03/05/2022 - Ione Atenea's sophisticated second film makes you want to play-act again, like we did when we were kids
03/05/2022 - Ione Atenea's sophisticated second film makes you want to play-act again, like we did when we were kids
03/05/2022 - Ione Atenea's sophisticated second film makes you want to play-act again, like we did when we were kids
film profile], the first feature by Zaragoza-born Pilar Palomero, was blessed multiple times: premiered in the Generation section of the Berlinale more or less 12 months ago, it went on to win the Golden Biznaga for Best Film at the most recent Málaga Film Festival in August, and in January it garnered the Forqué Award for Best Fiction Feature of last season (see the news). Furthermore, last night, during a physical, in-person ceremony held in a Madrilenian theatre, which abided by the requisite health-and-safety measures recommended by the health authorities, it scooped three Feroz Award...