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Billy Dean brings his string of hits to the Wood Theater on Saturday, September 23. As part of the Prime 90s Country Music Scene, Dean was the ACM’s Top New Male Vocalist of the Year in 1992, followed by CMA and Grammy Nods. The songs that powered his career include the top hits ‘If There Hadn’t Been You’ ‘Billy The Kid’ ‘We Just Disagree’ ‘Only Here For A Little While’ ‘Let Them Be Little’ and the Grammy Nominated Song Of The Year, ‘Somewhere In My Broken Heart.’ In addition to Billy’s stories and songs, Art-N-Shawna (from the band Grit N Whiskey) open the show w...

Billy Dean brings his string of hits to the Wood Theater on Saturday, September 23. As part of the Prime 90s Country Music Scene, Dean was the ACM’s Top New Male Vocalist of the Year in 1992, followed by CMA and Grammy Nods. The songs that powered his career include the top hits ‘If There Hadn’t Been You’ ‘Billy The Kid’ ‘We Just Disagree’ ‘Only Here For A Little While’ ‘Let Them Be Little’ and the Grammy Nominated Song Of The Year, ‘Somewhere In My Broken Heart.’ In addition to Billy’s stories and songs, Art-N-Shawna (from the band Grit N Whiskey) open the show w...

The Country Comeback Tour featuring three legendary 90s country music artists will be performing live here in Lake Charles for one night only. Here are the details.

Kiwi Jr. - Cooler Returns (Album Review) Wednesday, 27 January 2021 Written by Huw Baines Indie-rock is full of carefully disguised traps designed to ensnare posers and almost-there tribute acts: bands can be too clever, or too dumb, sound too much like their influences, or sound too little like themselves after a couple of records. By accident or design Kiwi Jr. stray into these crosshairs all the time, but whenever the moment to pull the trigger strikes they ricochet off into some other thing entirely. With their second album, ‘Cooler Returns’, they prove themselves adep...

7.5/10 Kiwi Jr.’s debut Football Money may have given the impression in places that it was a little fingers and thumbs, but it sounded no worse for it. Indebted to the bookish nineties’ slacker rock of Pavement and Sebadoh – and by extension moving alongside Parquet Courts and latterly Rolling Blackouts, Coastal Fever – it steered through a territory which has become somewhat, if only by dint of numbers, under-represented in the last few years. One of the reasons for the musical deforestation is that these sort of languorous nerd-outs are much harder to pull off successfully than ...