Page 27 - Patrick Magee News Today : Breaking News, Live Updates & Top Stories | Vimarsana

Share with: In this British crime series from the late 1950s, Canadian actor Robert Beatty is Detective Inspector Mike Maguire - a ‘Mountie’ assigned to London’s Scotland Yard in order to learn native crime fighting methods. Together with his English colleagues he takes on all sorts of cases ranging from blackmail, robberies, kidnapping and of course bloody murder. Produced by the one and only Harry Alan Towers, the 39 episodes were directed by Bernard Knowles, Robert Lynn, Alvin Rakoff, Terence Fisher, Don Chaffey and Charles Saunders while an array of then popular actors (Ferdy Mayne...

Share with: In this British crime series from the late 1950s, Canadian actor Robert Beatty is Detective Inspector Mike Maguire - a ‘Mountie’ assigned to London’s Scotland Yard in order to learn native crime fighting methods. Together with his English colleagues he takes on all sorts of cases ranging from blackmail, robberies, kidnapping and of course bloody murder. Produced by the one and only Harry Alan Towers, the 39 episodes were directed by Bernard Knowles, Robert Lynn, Alvin Rakoff, Terence Fisher, Don Chaffey and Charles Saunders while an array of then popular actors (Ferdy Mayne...

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Belfast’s murals brought them together – now their communities could be divided once again Kim Sengupta © Provided by The Independent Walking along Belfast’s peace lines, Mark Ervine came to a sudden halt, pointed to the wall and warned: “It should be clear that we are now going into enemy territory; it’s dangerous for me, so there’s a need to be very careful”. The “frontier” between Britain and Ireland was demarcated by the change in the row after row of murals, the intrinsic art form which has charted Northern Ireland’s turbulent politics. The painting...

Belfast’s murals brought them together – now their communities could be divided once again Kim Sengupta © Provided by The Independent Walking along Belfast’s peace lines, Mark Ervine came to a sudden halt, pointed to the wall and warned: “It should be clear that we are now going into enemy territory; it’s dangerous for me, so there’s a need to be very careful”. The “frontier” between Britain and Ireland was demarcated by the change in the row after row of murals, the intrinsic art form which has charted Northern Ireland’s turbulent politics. The painting...