Review of To Kill a Mockingbird at The Gielgud Theatre
What’s harrowing, of course, is that while much has changed since 1934, the production is keen to point out what hasn’t. A slick and imaginative production.
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What’s harrowing, of course, is that while much has changed since 1934, the production is keen to point out what hasn’t. A slick and imaginative production.
Rafe Spall is a fine Atticus in Aaron Sorkin’s somewhat awkward spin on Harper Lee; Jessica Daniels steers a sublime adaptation of Michael Morpurgo’s tale; and Bruce Norris’s racial satire is snappily revived <br>
What’s harrowing, of course, is that while much has changed since 1934, the production is keen to point out what hasn’t. A slick and imaginative production.
PATRICK MARMION: You can't ask much more of Aaron Sorkin's blistering adaptation of Harper Lee's tragic tale of racial injustice in 1930s Alabama.
Harper Lee's famous 1960 novel comes rivetingly to life at the Gielgud Theatre, with Rafe Spall hypnotic as lawyer Atticus Finch