Phone: (941) 366-1505 Why is Omari such an angry young man? A lesser playwright would offer a buzzword equation. White privilege + systemic racism = Black rage. Morisseau doesn’t. Her play doesn’t even define “pipeline.” You either know it, or you get it. Morisseau’s characters feel like real people. But they’re larger-than-life — and burn far brighter. It’s the difference between a flashlight and a laser beam. L. Peter Callender’s direction honors the playwright’s hyper-reality. His approach to dialogue and physicalization seem natural, never stagey. But he doesn’t sh...