The Sex Lives of College Girls Character-Style Breakdown
The Sex Lives of College Girls costume designer Phoenix Mellow breaks down Bela, Leighton, Whitney, and Kimberly's style in season two.
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The Sex Lives of College Girls costume designer Phoenix Mellow breaks down Bela, Leighton, Whitney, and Kimberly's style in season two.
Read all the details on Leighton's outfits worn by Reneé Rapp on The Sex Lives of College Girls, with insight from the show's costume designer.
'Sylvie’s Love' Takes Contemporary Chanel Back to the ‘60s ELLE 12/29/2020 Fawnia Soo Hoo © Nicola Goode Costume designer Phoenix Mellow took inspiration from Audrey Hepburn in 'Breakfast at Tiffany’s' for Eugene Ashe's Tessa Thompson-Nnamdi Asomugha romance. Initially dismissed as “women’s movies” (or, even more condescendingly, “weepies”), the work of German director Douglas Sirk explored love, life, and the career aspirations of women protagonists in the ‘50s and ‘60s, and later, were lauded as progressive proto-feminist fare. Sundance darling Sylv...
Sylvie's Love. Amazon Studios There are films that invite the viewer in by emanating an energy so lush and warm that you long to continue living in that world even after the runtime has ended. I get this feeling whenever I watch one of Douglas Sirk's 1950s melodramas that, despite holding up a mirror to serious themes like racism, classism and Puritanical social mores, offer a kind of comfort and splendor in their Technicolor richness and grounded translations of mid-century American pathos. That same energy radiates through Eugene Ashe's Sylvie's Love, a stylishly moody period d...
Let 'Sylvie's Love' Wrap You In All Its Goodness Sylvie's Love. Amazon Studios There are films that invite the viewer in by emanating an energy so lush and warm that you long to continue living in that world even after the runtime has ended. I get this feeling whenever I watch one of Douglas Sirk's 1950s melodramas that, despite holding up a mirror to serious themes like racism, classism and Puritanical social mores, offer a kind of comfort and splendor in their Technicolor richness and grounded translations of mid-century American pathos. That same energy radiates through Eugene Ashe's Sylv...