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Cannes, May 26: So near, yet so far. Payal Kapadia's 'All We Imagine As Light' came home with the Grand Prix, but not the Palme d'Or, from the glittering awards event that brought the curtains down on the 77th Cannes Film Festival on Saturday night.
Lily Gladstone discusses her Oscar loss and the lack of upset back home. She highlights the importance of community support and the impact of 'Killers of the Flower Moon' beyond awards.
While there’s no out-and-out masterpiece this year, and at times more fun to be had watching the audience fighting, Sean Baker’s acid class comedy, Jacques Audiard’s drug-lord musical and India’s first Palme d’Or contender in decades are knockouts
Last year, the world embraced Barbie and Poor Things, two outstanding films that tapped into the state of female consciousness in the 21st century. At the 77th Cannes Film Festival, which ends tomorrow, women-driven stories of all stripes are pushed further up (or down) the emotional spectrum. A noticeable number of titles premiering at the influential festival feature female protagonists in varying states of joy and distress -- and to varying results. Powerful acting by female talent also injects life and spirit into those stories, hailing from all corners of the Earth.
Emma Stone and Yorgos Lanthimos' collaboration has by now become so regular that it would be easy to take it for granted. Just a few months removed from the Oscar